Seasons' Top Fashion Designers

Top Fashion Designers

Celine: Thanks to the Celine show, we're all coveting earthy shades of camel, nude and safari – not to mention butter-soft leather.

Salvatore Ferragamo: Hello, sunshine – bursts of bright yellow were warmly received at Ferragamo, who in Milan also channelled chic wearability.

Stella McCartney: Don't be afraid of soft and simple was the message at Stella McCartney and for that, her show was a standout.

Finest Floral Designers

Stella McCartney: In addition to her sharp tailoring and lots of wearable basics (welcome back, denim skirt), McCartney's show was big on beautiful rose-print dresses and blouses.

Valentino: The emperor might have retired but his successors are ensuring the glamour lives on with short, sheer party dresses (no, there was not a hint of red) and a stunning floor-length chiffon gown with black-orchid print.

Collette Dinnigan: Dinnigan injected a little bit of Australiana into her collection with long and short-tiered florals in a kaleidoscope of colours and a stunning silk strapless maxi with beaded and embroidered sunflower motif.

Top Luxury Designers

Prada: Gorgeous island prints, crystal chandelier pieces and crystal-encrusted shoes – what's not to love?

Givenchy: The sharp, almost futuristic geometric vibe was offset at Givenchy with draped goddess dresses complete with shimmering shoulders.

Lanvin: Consider Lanvin the go-to label for after-hours glamour. Glittering jumpsuits, short, block-colour cocktail frocks and plenty of luxe neck, arm, wrist and bag candy.

Source: Stuff.co.nz

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Betty Jackson's Spring/Summer 2010 Collection

Soft, sweet and saucy was the message from Betty Jackson’s spring/summer 2010 collection.

Her inspiration was the idea of a French demoiselle being filmed by Jean-Luc Goddard in Shanghai, leading to a lot of ooh-la-la and some extremely wearable clothes.

Ruffles, frills and flounces were a key detail whether worn as a ruff, sparkling with crystals at the neck, decorating a peplum jacket or trimming the hem of a jacket or skirt. The bra-bodice, little bloomers and French knickers were equally important to the look - a trend increasingly apparent at London Fashion Week.

Here, at Jackson, they came in contrasting pastel, floral prints, in shades of ice-pink and mint, and designed to be seen - beneath rough linen jackets, trimmed with broderie anglaise, worn with floppy, floral trousers, or worn over button-to-the neck blouses.

The boudoir theme was also echoed in little floral sundresses with draped hips, which showed a frill of purple lace at the décolletage. In more minimal, contemporary mode were short-sleeved, navy dresses with a pleated detail on the bodice and a to-the-knee skirt; easy coats, tunics and crop-trousers in beige.

A-line coats, smocks and waisted dresses came in silver lame and a rose-pink brocade, often accessorised with a sparkly ruff for a funky, but flattering look for after-dark.

Source: Telegraph.co.uk

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Lindsay Lohan: Got Some Nerves

Lindsay Lohan is "nervous" about the upcoming House of Emanuel Ungaro fashion show. 

The 23-year-old star, who was unveiled as the French fashion house's artistic advisor earlier this week, can't wait for the Paris Fashion Week show, but is anxious about how the clothes will be received.

She explained: "I'm nervous about the show the way I get nervous about a film. Maybe a little bit more about this because it's a little more personal."

The 'Mean Girls' actress added any criticism will feel particularly harsh as she feels so closely linked to the brand.

She said: "In a film I'm playing someone else and people can relate to that character. This is very much me and I'm putting all of my efforts into it."

Lindsay - who already has her own range of leggings and fake tan - will work with Spanish designer Estrella Archs, giving her own ideas and input into upcoming collections.

She said earlier this week: "I kind of oversee everything Archs does, while working with her. Different generations have different ideas."

Designer Amy Molyneux - who already works for the French label - said of Lindsay's appointment: "She does have an eye for fashion. I like the way she dresses. Her house is a mini-department store. She changes outfits five times a day."

Source: Stuff.co.nz

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Sundance Channel Airing 4 Big Fashion Designer History

Los Angeles - Sundance Channel is set to give viewers a rare look behind the velvet rope of runway shows. The four-part original fashion series "The Day Before" will cover the global fashion scenes and calendar.

Directed by Loic Prigent, the series will give viewers an inside look at the creative process and drama leading to some of the most prestigious fashion shows in top fashion cities.

Starting on Wednesday, September 9 at 10 p.m., "The Day Before Sonia Rykiel" will feature the French fashion designer known for her chic and playful knitwear. The Parisian runway show in October marks her house's 40th anniversary.

On September 9, "The Day Before Proenza Schouler" will feature designer duo Jack McCollough and Lazaro Hernandez send out their Fall 2009 collection in New York in February.

Friday will feature "The Day Before Fendi by Karl Lagerfeld" will center on the highly revered Karl Lagerfeld as he presents his Fendi Fall 2009 collection in Milan in March.

The last day will be "The Day Before Jean Paul Gaultier," an episode which showcases Jean Paul Gaultier's haute couture collection in a Paris show.

The series will capture the designers at their key moment when creativity and business come together.

"The Day Before" will air on the Sundance Channel from September 9.

Source: AHN

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High Fashion Eyebrows

When it comes to eyebrows, high fashion has decided there is only one way to go – and go they must. Emma Watson and Cheryl Cole may adhere to the power of the brow to frame a face, but more and more models are bleaching them to the point of invisibility. The eyebrow, it seems, has become "excess" hair. Agyness Deyn, Lily Donaldson and Linda Evangelista have all gone eyebrowless recently. In Givenchy's latest advertising campaign, eight male and female models recline in a French chateau looking curiously androgenous. Each is eyebrowless.

Perhaps the trend has been a long time coming. Three years ago, the model Lara Stone bleached her brows on the advice of Carine Roitfeld, the esteemed editor of French Vogue. This year she starred at the autumn/ winter and couture shows, appearing on catwalks for Chanel, Jean Paul Gaultier and Prada among others. And this month the popular 90s model Kristen McMenamy, now 42, appears on the cover of Italian Vogue without brows, 17 years after she and Karen Elson popularised the look during the grunge years.

Makeup artist Pat McGrath worked on the Balenciaga and Prada shows, both of which featured bleached-out brows. "The current economic troubles open people up to be more daring and willing to don cutting-edge looks," she says.

At a time when advertising is suffering, is eyebrowlessness just a more extreme way for a brand to sell its products? Or perhaps the prevalence of Botox (no frowning or eyebrow raising) means we simply have no need for them?

Aidan Jean-Marie, creative director of Premier Model Management, says he has "had a couple of girls who had their brows bleached for beauty stories in the last few weeks. I think clients like the look because it's clean, like a blank canvas, and 90s-inspired, which is a big trend. It's alien-like and quite creepy."

But before you reach for the Jolene, consider a more subtle take on the look. Lisa Oxenham, beauty and style editor at Marie Claire, advises "gently tweaking eyebrows with bleach". She says it gives the same effect as freckles on blondes. But she warns against eyebrow removal. "Brows give a face expression – when they are not there the look hardens." And "it is not advised if your face is round, long or if you're hungover".

Source: Guardian.co.uk

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French Designer Eric Tibusch: Shoes Into Hair Accessories

They say a picture is worth a thousand words, but these will surely leave you speechless.

French fashion designer Eric Tibusch turns shoes into hair accessories for his Haute Couture 2009-2010 fashion collection in Paris this week. The clothing is beautiful, the makeup is beautiful, and the shoes, though oddly placed, are beautiful as well.

Are women in Paris going to take to this unusual look? Makes you wonder if we will be seeing this look in the states anytime soon. Will they stop selling shoes by the pair? Will you buy them to fit your head instead of your foot? Will stylists be learning how to incorporate a shoe into an updo in beauty school? Only time will tell.

A primary example of why fashion is fun, endless possibilities.

Source: Examiner.com

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ParisFashion Week: Great Ending

The winter 2010 haute couture shows are over! So here's a final look -- at John Paul Gaultier, Valentino and Josep Font. Jenny Barchfield of the Associated Press reports:

"Jean Paul Gaultier looked to vintage Hollywood for a solid collection that was equal parts Ava Gardner and Gaultier — the one-time enfant terrible of French fashion — himself.

"Things were looking up at Valentino. Its new design duo finally found their way out of the archive and forged a sexy new look for the mythic Italian label. Out went the ladylike day coats and tasteful A-line cocktail dresses in jewel-toned duchess silk; in came the second-skin bodice dresses in flesh-colored tulle and black lace; and up, way up, went the hemlines.

"For his fourth couture display, Spanish designer Josep Font continued to shore up his avant-garde credentials with a ravishing collection of think pieces."

At Valentino, Barchfield, writes, "the new design team aimed to seduce a younger, hipper clientele with a racy tulle and lace collection [check out the model at right] that projected the Valentino woman out of the past and into fashion’s future." She continues:

Maria Grazia Chiuri and Pier Paolo Piccioli — who last year replaced Valentino’s successor just two seasons after the maestro retired — had been stuck in the label’s archives. For their first two collections at the helm of the house, they delivered up couture and pret-a-porter collections that were "more Valentino than Valentino," full of gorgeous-but-dated coats and dresses embellished with oversized bows and roses.

This time around, however, they swapped stateliness for sexiness, delivering bustiers in nude tulle with panels of black peek-a-boo lace and thigh-skimming skirts.

As for Josep Font, Barchfield proclaimed the Spanish designer "crazy" and, possibly, "brilliant."

"Font pushes haute couture — that anything-goes laboratory of fashion — to its avant-garde extreme.

Models in his show Wednesday could barely walk — and it wasn’t on account of the vertiginous heels, as it is on many catwalks. Enveloped in a small mountain of mohair shag — a funnel-shaped coat — or swathed in endless in yards (meters) of featherlight chiffon — an embroidered tunic dress — and with pointy plastic collages balanced on their heads, the models did a strange geriatric shuffle around the catwalk."

Indeed, some of Font's creations [that's one of his at left] look like illustrations from a modern version of "Through the Looking-Glass." We could envision a slimmer version of the Red Queen mincing "about in a white cocktail dress with a single red sleeve with an enormous puff that in profile resembled an oversized Sacred Heart" (to quote Barchfield).

Source: Los Angeles Times

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Paris Men Fashion Week: Louis Vuitton

Menswear designer Paul Helvers paid homage to the bike messenger, sending out models in generously cut single-button jackets and cuffed shorts toting across-the-chest messenger bags in nubby leather.

Models in dress shoes with heels capped in fluorescent rubber trod across a catwalk covered in black gravel that sparkled like asphalt.

"This season I was really into pushing the boundaries of what is sportswear and what is elegance, what is chic," Helvers told The Associated Press in a backstage interview.

The impeccably cut suits had sportswear touches like zippered hoodies and ventilation flaps. Often the suits, in eye-popping oranges and yellows or muted moss and mauve tones, were topped with flowing microfiber windbreakers or light trenches.

Models wore plastic sunglasses with yellow-glazed lenses and jewelry meant to resemble bicycle chains.

Source: Sify News

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