Lindsay Lohan Issue On Paris Fashion Week

Hollywood starlet Lindsay Lohan has revealed that she used supermodel Kate Moss as a human shield at the French fashion collections.

Lohan was swarmed by reporters and paparazzi during her debut as artistic advisor for Emanuel Ungaro.

One journalist even crawled under a photographer's legs to try and snatch a quick quote from Lindsay.

But Lindsay - who is well-known for visiting her favorite LA restaurant in disguise - turned the tables one night in Paris.

She told a British reporter that she just used Moss as a human shield to get away from the crush of press.

“At the Testino party, Kate Moss was walking out," she said.

"I saw her leaving and was, like, ‘Go now!’ I was walking behind her. She went one way and took the photographers with her. I went straight to my car.”

Source: Irish Central

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Paris Fashion Week: Pixie Lott

Pixie Lott has left the UK music scene for now to rock the fashionistas in the French capital.

At a private gig at Karl Lagerfeld's pop-up club Fendi O on Tuesday she was introduced to the celebrity crowd during Paris Fashion Week.

But down-to-earth Essex-born Pixie said she wouldn't let all the glamour and the popularity go to her head.

"I don't really get phased by too much, and I really hate big-headed people, so I don't really think that that is ever going to be a problem. I think that I have just got such great friends and family and it just feels exactly the same as before, everyone treats me the same, I am still exactly the same,"

In previous years Lagerfeld choose The Gossip and Amy Winehouse to play for the bi-annual Fendi party.

The exclusive event opened the stage to Pixie to present her new album to the Europeans.

Turn It Up was released in the UK in September.

Source: ITN

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Paris Fashion Week: Emanuel Ungaro Collection With Lindsay Lohan

It was a deadly collision of celebrity culture and fashion culture on Sunday at the debut of the new Emanuel Ungaro collection with Lindsay Lohan as artistic advisor and Estrella Archs as designer. When Lohan came out for a runway bow, her eyes were full of tears. And it's easy to see why. After all the hullabaloo over her appointment a month ago, with some fashion insiders suggesting it was an insult to anyone who had ever really worked in design, it had to have been the walk of shame to end all. 

The fashion crowd is a tough one, and the fangs were out for this collection from the beginning. Unfortunately, the clothes--reportedly whipped together in a mere three weeks -- didn't do anything to defy low expectations. 

It's difficult to know whom to blame -- Lohan for taking the job or Ungaro President Mounir Moufarrige for thinking he could install a troubled Hollywood starlet with no fashion training at a venerable French house (even one that cycles through designers faster than Lohan cycles through rehab stints). Or maybe it's the fault of the industry in general, which has put a premium on fast, flashy and addictive fashion, over forward-thinking and creative fashion. 
The impulse to focus on the house's signature shade of hot pink was a good one, and that's how the collection began, with a tight minidress draped over one shoulder. There were a lot of minidresses in this show, many of them so short, they seemed to be inviting a TMZ crotch shot. 

The second design element was the heart, in a repeating sequin pattern on one jacket and repeating cutouts with sequins peeking out from underneath on another. These were partytime clothes -- ruched leggings in bright blue and purple (Lohan has her own line of leggings too -- 6126), pink harem pants and bandeau bikini tops with heart-shaped charms nestled between the breasts. 

But by far the worst offense were the glittery heart-shaped pasties worn under suit jackets. In a word, why? They were just begging to be laughed at. A larger version of the heart pasties also turned up on some of the models' heads. 

Nothing in the collection evidenced any real skill or discernible design work. In fact, you could probably find a lot of it already on the shelves at Kitson. I did hear someone remark that they liked the shoes, which had narrow, stair-step heels. 

Still, there's really no defending this misguided collection, other than as a desperate bid for attention from a house that hasn't mattered since its founder retired in 2004. I just don't think it's the kind of attention they had in mind.

Source: Los Angeles Times

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French Fashion Hermes Increased Sales

Second-quarter sales at the firm's ready-to-wear clothing and fashion accessories division were up 13%, while they rose 11% at its silk and textiles unit.

However, sales of its watches, perfumes, and tableware goods were all down.

Analyst Dennis Weber of Evolution Securities said Hermes was helped by the strength of its brand name.

"Hermes' established brand reputation works in the company's favour in the current environment, and we believe in the relatively defensive nature of the Hermes brand," he said.

The 11% fall in the sale of Hermes' watches between April and June has been echoed by watchmakers in Switzerland, industry figures have shown.

The Swiss Watch Federation said sales at the country's watch-makers, including Rolex and Tag Heuer, were down 26% in the first half of 2009.

It added that the Swiss watch industry was facing its steepest drop in global demand in about 20 years.

Source: BBC News

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ParisFashion Week: Great Ending

The winter 2010 haute couture shows are over! So here's a final look -- at John Paul Gaultier, Valentino and Josep Font. Jenny Barchfield of the Associated Press reports:

"Jean Paul Gaultier looked to vintage Hollywood for a solid collection that was equal parts Ava Gardner and Gaultier — the one-time enfant terrible of French fashion — himself.

"Things were looking up at Valentino. Its new design duo finally found their way out of the archive and forged a sexy new look for the mythic Italian label. Out went the ladylike day coats and tasteful A-line cocktail dresses in jewel-toned duchess silk; in came the second-skin bodice dresses in flesh-colored tulle and black lace; and up, way up, went the hemlines.

"For his fourth couture display, Spanish designer Josep Font continued to shore up his avant-garde credentials with a ravishing collection of think pieces."

At Valentino, Barchfield, writes, "the new design team aimed to seduce a younger, hipper clientele with a racy tulle and lace collection [check out the model at right] that projected the Valentino woman out of the past and into fashion’s future." She continues:

Maria Grazia Chiuri and Pier Paolo Piccioli — who last year replaced Valentino’s successor just two seasons after the maestro retired — had been stuck in the label’s archives. For their first two collections at the helm of the house, they delivered up couture and pret-a-porter collections that were "more Valentino than Valentino," full of gorgeous-but-dated coats and dresses embellished with oversized bows and roses.

This time around, however, they swapped stateliness for sexiness, delivering bustiers in nude tulle with panels of black peek-a-boo lace and thigh-skimming skirts.

As for Josep Font, Barchfield proclaimed the Spanish designer "crazy" and, possibly, "brilliant."

"Font pushes haute couture — that anything-goes laboratory of fashion — to its avant-garde extreme.

Models in his show Wednesday could barely walk — and it wasn’t on account of the vertiginous heels, as it is on many catwalks. Enveloped in a small mountain of mohair shag — a funnel-shaped coat — or swathed in endless in yards (meters) of featherlight chiffon — an embroidered tunic dress — and with pointy plastic collages balanced on their heads, the models did a strange geriatric shuffle around the catwalk."

Indeed, some of Font's creations [that's one of his at left] look like illustrations from a modern version of "Through the Looking-Glass." We could envision a slimmer version of the Red Queen mincing "about in a white cocktail dress with a single red sleeve with an enormous puff that in profile resembled an oversized Sacred Heart" (to quote Barchfield).

Source: Los Angeles Times

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Paris Fashion Week: Megan Fox

Megan Fox was the star attraction at Giorgio Armani's Paris fashion show

The 'Transformers' beauty looked stunning in an Armani asymmetrical knee-length dress, with her long dark locks tumbling over her shoulders, as she joined Cate Blancett in the front row of the designer's catwalk show at the French city's Couture Fashion Week.

While Megan wore a simple dress, the show's models showcased new designs which wore covered in dazzling beadwork and sequins.

Admitting the collection could be hard to wear, Megan said: "I don't know if I could pull it off, but I could try."

Cate Blanchett, who was dressed on an Armani pagoda-shouldered sheath dress, was also impressed by the collection.

The Oscar-winning beauty said: "It's blinding, it's beautiful, really beautiful."

Armani's winter 2010 display featured his signature look of pantsuits, complete with rhinestone-hemmed cuffs and buttons, and a series of bustier dresses, covered in crystals and sequins.

Following the show, held at the Palais de Chaillot, Armani hosted a champagne reception in the Musee de l'Homme, next door, to launch his newest fragrance, l'Idole.

Other designers to showcase their new range at Paris Fashion Week included Christian Lacroix and Givenchy.

Source: M&C

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Paris Men Fashion Week: Issey Miyake

Color took center-stage at the Paris-based Japanese label Issey Miyake, as designer Dai Fujiwara sent out Turkish-inspired harem pants and short suits in turquoise, Ceylon and Persian blues embellished with geometric mosaic designs and eye-popping tulip print.

A crocheted hat resembled a turban, while tapered mules conjured up a sultan's slippers. The blue, red and purple squares, triangles and hexagons woven into a cotton fabric turned a generously cut summer jacket into a delicate mosaic.

"Turkey used to be a meeting place between East and West which is the same concept behind Miyake," Fujiwara told The AP in a pre-show interview. "I took a very historical Turkish look and mixed it with the kind of clothes young people around the world are wearing."

Other highlights included a cardigan in canary yellow and bubblegum pink made entirely from crocheted Japanese paper. A spokesman for the label acknowledged the show-stopping piece had one drawback: being "not that easy to wash."

Source: Sify News

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Paris Men Fashion Week: Hugo Boss

The German suitmaker also sent out a collection fit for the beaches of the chic French beach resort of Deauville. Belgian-born designer Bruno Pieters stuck to a navy white-and-red palette and lots of horizontal sailors' shirt stripes, pairing tunic-length shirts in sheer cotton with short shorts and cropped jackets cut even shorter in the back.

One model carrying a leather tote and decked out in red shorts and an abbreviated double-breasted jacket embellished with buttons looked like a bell boy straight out of a a five-star Deauville hotel.

Other models looked more like the fish one might catch on Deauville's beaches. Heavy metal sequins covering several well-cut jackets sparkled like scales.

The looks were eye-catching, but gave even style maverick Adrian Brody pause.

Asked whether he would dare don such a sparkly garment, the American actor demurred. "I could maybe wear them for something specific, but casually? I think I don't know."

Source: Sify News

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Paris Men Fashion Week: Louis Vuitton

Menswear designer Paul Helvers paid homage to the bike messenger, sending out models in generously cut single-button jackets and cuffed shorts toting across-the-chest messenger bags in nubby leather.

Models in dress shoes with heels capped in fluorescent rubber trod across a catwalk covered in black gravel that sparkled like asphalt.

"This season I was really into pushing the boundaries of what is sportswear and what is elegance, what is chic," Helvers told The Associated Press in a backstage interview.

The impeccably cut suits had sportswear touches like zippered hoodies and ventilation flaps. Often the suits, in eye-popping oranges and yellows or muted moss and mauve tones, were topped with flowing microfiber windbreakers or light trenches.

Models wore plastic sunglasses with yellow-glazed lenses and jewelry meant to resemble bicycle chains.

Source: Sify News

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